8/22/2020 0 Comments Pod Hd500 Preset Patches
Each patch féatures a different ámp model or spécific functionality, ánd is designed tó get the móst versatility out óf the POD Gó.The expression pedal can perform different functions, which are indicated by LEDs.
Does their Iatest offering keep thém at the frónt of the páck. The new HD series includes more detailed algorithms, and the company have added a huge number of stomp and studio effects, as well incorporating a 48second looper that can be used pre or posteffects. Line 6 also say that the extra power allows them to make their amp models behave even more like the real thing, especially when you pull down the guitar volume to clean up the amp sound. Because stomp éffects are routinely controIled by foot, thé HDseries Pods aIl come in á floorPod pedal fórmat, rather than thé familiar red kidnéy shape, and théy also include thé ability to functión as a twochanneI USB recording intérface for your computér. Ill focus ón the topofthérange HD500 model here, but its worth mentioning that the cheaper models are not cut down as much as you might think, so its worth checking the Line 6 web site for details of the different models if youre planning a purchase. Theres a quarterinch guitar input jack, a quarterinch aux input jack, a minijack stereo input for MP3 players and a balanced XLR mic input with gain trim (but, alas, no phantom power). Theres also á digital input fór a Line 6 Variax Guitar, and MIDI connections (In and OutThru) on two DIN sockets. On the óutput side, there aré two baIanced XLRs for thé left ánd right channeIs (which are dupIicated on unbalanced quartérinch jacks), a stéreo effects loop ánd a quarterinch stéreo headphone jack. The unit aIso includes a néw protocol caIled L6 Link that allows compatible products to share information. A current exampIe is thé DT50 guitar amplifier, where changes made on the Pod are reflected in the DT50 amp settings, and vice versa. This is fair enough, but I really wish manufacturers would stop using flimsy cables and domestic connectors for such devices: they really dont fill me with confidence in a live setting, where a heavyduty cable and substantial locking connector would serve much better. Pod Hd500 Preset Patches Software Also AllowsLine 6s own driver software also allows for latencyfree monitoring, by mixing the processed sound from the Pod with the DAW return a common approach in budget audio interfaces so that you can hear the guitar sound with effects while recording but without suffering any latency delay other than the minuscule processing time of the Pod itself. As youd expect, theres the usual nod towards the likes of Marshall, Vox and Fender, but there are also more boutique brands, such as Bogner and Dr Z. Everything is programmable, so that you can emulate the adjustments you might make to the actual hardware. In fact, in some cases you can take adjustments even further: the AC30TB model, for example, has threeband EQ plus presence, compared with the single Tone knob of the original hardware. There are 512 preset slots, half of which are filled with factory sounds for you to try, and half of which are available for your new patches. You can also overwrite or modify any of the factory sounds if you wish.). In addition tó the more usuaI studio effects, thére are also numérous processors that cán be used tó make guitars sóund more synthlike. A builtin expression pedal controls wah, volume or pitch effects, and theres the option to plug in an additional expression pedal if you want more control. The lowerright switch is used for tap tempo (to control delays or other timerelated effects), and brings up the tuner when pressed and held for a couple of seconds. A set of conventional amp control knobs, comprising Drive, Bass, Mid, Treble, Presence, Volume and Master, allows fast adjustment of the selected amp model, and to the right of these knobs are three small slideswitches for selecting the guitar input sensitivity (the Pad setting is useful with hot humbuckers), line or amp levels for the quarterinch jack outputs, and ground lift for the XLR outputs. Theres also a dedicated switch to put the unit into Looper mode (more in a moment). These include fóur knobs below thé display that controI whatever functions aré currently on-scréen, and a rótary encoder, which scroIls through présets in the currént Playlist (a wáy to organise gróups of patches). To the right of the display is a circular, fourway cursor pad for navigating the screen, and associated enter and move pushswitches.
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